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Glasgow Grace


Opera singer, Skye Hunter, returns to the land of her birth as leading lady in Phantom of the Opera. This is her first trip back to bonnie Scotland since her mother whisked her away to Australia after Skye’s father died sixteen years ago. When Skye decides to have dinner at...


Opera singer, Skye Hunter, returns to the land of her birth as leading lady in Phantom of the Opera. This is her first trip back to bonnie Scotland since her mother whisked her away to Australia after Skye’s father died sixteen years ago.

When Skye decides to have dinner at McGuire’s, she’s not going there only for Mary McGuire’s shepherd’s pie. Her first and only love, Callum McGuire, still plays his guitar and sings at the family-owned tavern. 

Callum has never stopped loving Skye. Desperate to know if she’s changed under her mother’s influence, he keeps his real profession hidden. Would she want him if he was still a singer in a pub? But when Skye’s worst nightmare comes true, Callum reveals his secret to save the woman he loves. 

Can Skye and Callum rekindle what they lost, or will her mother threaten their future together once again?


Awards & Other Kudos


Glasgow Grace is an engaging tale of youthful love that transcends time and distance. As usual, Marion Ueckermann does a wonderful job at sweeping you into the setting, bringing Scotland to life.

~ Angela K Couch, Award-winning Historical Romance Author

Swoon-worthy romance set against the backdrop of breathtaking Scotland, combined with a powerful reminder of God's relentless grace makes this an inspiring, satisfying read.

~ Heidi McCahan, Author of Unraveled 

Callum and Skye drew me into their lives as they faced problems, old and new, trying to discover if love transcends distance and time. Glasgow Grace is a delightful excursion into the atmosphere and brogues of Scotland. Marion Ueckermann charmed me again with her characters, setting, and voice.

~ Judith Robl, Author of As Grandma Says

Once again, Marion Ueckermann’s writing transported me to another place. A magical bittersweet story with a truly beautiful ending, reminding me that our Creator is always in control.

~ Sarah Rowling, Reader

I fell in love with Callum and Skye right away. After reading Glasgow Grace, I wanted to pack my dancing shoes and head to Scotland for music and a shepherd's pie at McGuire's.

~ Janet Ferguson, Author, Faith, Humor, Romance—Southern Style

Glasgow Grace is another must read from Marion Ueckermann! Skye and Callum are long time sweethearts separated by her mother after her father's death. Reunited when Skye comes to Glasgow to sing in Phantom, the romance is what sings. He will end up saving her life - literally as well as emotionally. A great read!

~ Diane Tatum, Author of Gold Earrings




That she’d miss spending a warm Christmas and New Year with family and friends this year mattered little to Skye Hunter. Even though she wasn’t home, she was home. She could’ve sung an aria right there in the middle of Glasgow International Airport and let the myriad of holiday travelers know exactly how she felt about being back in bonnie Scotland.

Sixteen years. A lifetime.

She caught her breath. Surely, everything would be different. Everyone. People would’ve moved on with their lives…to other cities, maybe even other countries as she had. Not that she’d been given a choice in that matter. Nevertheless, her life had turned out well for the change.

But, she wasn’t here to rekindle friendships.

Pushing a trolley laden with her baggage, she stepped outside to a gray monochrome sky. One thing had remained the same—the weather. Sheltered beneath the roof overhang, she hailed a taxi. She had so missed these black London-style vehicles.

Once she reached her hotel room, she’d need to call her mother—let her know her precious cargo, marked fragile, had arrived in one piece.

The fact that Rita Robinson hadn’t followed Skye across the globe was a miracle. At least her stepfather’s ill-health had one upside—it kept Mother home where she belonged.

How Skye would enjoy these months of freedom out from under her mother’s thumb.

Snowflakes fell on the taxi driver’s dark jacket as he hopped out of the vehicle. He groaned. “Awnaw-snaw.”

Amused at his protest, her lips curved. She’d forgotten how Glaswegians lowered the pitch of their voices and strung their words together in one sentence.

As he loaded her suitcases into the back of the vehicle, he chatted non-stop. All unintelligible to Skye. But hearing the patter again was good—it had been so long. Adjusting to this dialect would take time, however.

His accent made her think of her Da. She swallowed, blinking away moistness as she brushed the snow from her coat and slid onto the back seat. “Crowne Plaza Hotel, Congress Road,” she instructed as she sank against the worn leather and stared out the window, drinking in both familiar and unfamiliar sights.

They were in the city center within minutes. The armadillo-shaped Clyde Auditorium came into view, reminding Skye of her own Sydney Opera House back home where she’d wooed audiences during the past year. At least that’s what the tabloids reported.

But this was her big break into the global operatic scene. Phantom of the Opera. She had finally arrived. Star of the show, her name in lights. First Glasgow, then Edinburgh. Finally, the Royal Albert Hall in London. This would be her year. It wasn’t every day a girl got the opportunity to portray Christine Daaé and sing with her angel of music.

She released a sigh. Once she’d had an angel of music, too. Her mind tumbled back to another world filled with song. Callum McGuire. What had become of him?

A smile touched her mouth as forgotten feelings filled her, warming her like a mug of hot chocolate. She savored the sweetness they left on her lips.

“That wullbi twenty quid.” The driver turned in his seat and pushed up his thick glasses.

Her reverie short-lived, Skye opened her handbag and pulled two ten pound notes from her purse. She hadn’t even noticed the taxi pull up in front of the hotel under the covered drive. The Crowne Plaza. This would be great. The spoils of hotel life and a short holiday, compliments of Mr. Boyd. She’d enjoy it while it lasted. Come January 1, Duncan Boyd, General Director of Opera Scotland, had an apartment rented for her and three other sopranos. Once rehearsals commenced in just under two weeks, she could count on nothing but hard work.

“Huv a nice day.” The driver unloaded her suitcases onto the sidewalk and jumped back into his vehicle. A bellhop rushed to help with her luggage.

Mr. Boyd had arranged an early check-in for Skye. If he hadn’t been away with family in London for Christmas, he would’ve collected her from the airport himself.

After checking in, Skye headed up to her room, taking in the view from the glass elevator that clung to the side of the building. She searched for her childhood home on the ground below. Nothing. Perhaps she’d see it from her hotel window.

The ride to the fourteenth floor, and the walk down the corridor to her room, afforded her time to think of how much she’d love a full Scottish breakfast now. A rasher of bacon, a banger, black pudding, and haggis. On the side, half a tomato broiled with cheese on top, sautéed mushrooms, baked beans, and a potato—or tattie scone, as she fondly remembered it being called. Finally, a slice of toast and an egg fixed just the way she liked it—sunnyside up. All this mouth-watering goodness washed down with piping hot tea, milk in first.

Sadly, it was already lunchtime. Breakfast would have to wait until tomorrow. She set her handbag down on the bed and told the bellhop where to place her luggage. After tipping him, she closed the suite door and ambled toward the window. She stopped beside the writing desk where the room service menu lay open. Running her finger down the contents, Skye settled for a smoked turkey and Stilton sandwich and a pot of tea. She dialed room service.

The view from so high was inspiring—Millennium Bridge on her right, Clyde Arc to her left. Both structures had been built in the time she’d been gone. In front of the hotel—Bell’s Bridge. She smiled. Bell’s held so many special memories. If that bridge could talk… Anderston Quay, too.

A knock at the door interrupted her trip down memory lane. Brunch.

Skye thanked the room service attendant, poured a cup of tea, and moved back to the window. She sipped the warm liquid and nibbled her sandwich as she watched the River Clyde ferries amble along their wet path. She and Callum used to sit for hours watching the construction of the pedestrian overpass. In their teens, they’d crossed it hand-in-hand, walking between his home and hers. They, too, had managed to bridge the watery divide between their worlds.

Gazing at the way the River Clyde mirrored the gray heavens, Skye shivered. She needed a hot bath and a nap once she had finished her tea and the sandwich.

After hanging a “Please Do Not Disturb” sign outside the door, Skye ran a bath and soon soaked in hot water and bubbles. She closed her eyes and allowed the memories—of Da and of Callum—to wash over her.

When her skin was wrinkled and her mind spent, Skye stepped out of the bath, dried, and put on a soft white robe. She walked to the bedroom, her long hair wrapped in a matching towel.

The velvet furnishings radiated warmth, banishing thoughts of the cold outside. These warm, fuzzy feelings, combined with the heat clinging to her skin, threatened to put her to sleep before she could crawl between the sheets. She was exhausted. Had been for weeks.

She’d just finished a long season at the Sydney Opera House—probably the reason for her exhaustion and sore throat. Was there such a thing as too much singing? Perhaps. That’s why she’d insisted on coming to Glasgow ten days early. She needed a break—on her own—and what better place to do that than where she’d grown up.

Skye closed the curtains and set the phone on the desk to “Do Not Disturb” before she moved to the bed. Pulling back the covers, she brushed her hand over the sheets. Egyptian cotton. She would sleep well—until tomorrow morning for sure. She drew a deep breath as her head sank into the scented feather pillows. Lavender. But despite having the makings of dreamland Utopia, sleep eluded Skye.


Callum McGuire sat on a wooden stool and plucked at the guitar strings. After a hard day at work, there was nothing like getting up on a chair in his father’s pub, strumming his guitar, and singing his favorite Scottish ballads and jigs. Especially the Skye Boat Song.

He strummed. The twelve silvery lines created a fullness of sound that could never be obtained by six. His smooth tenor filled the rustic pub. “Sing me a song of a lad that is gone. Say, could that lad be I? Merry of soul, he sailed on a day, over the sea to Skye.”

How often he’d wished he could sail across the seas to his Skye. But Australia was far away. And she had never written.

“What a dreich day.” Mary McGuire pulled back the lace curtain and stared outside. She shook her head. “Dreich.” She let the fabric fall back in place, and then wiped the table just below the window. “It’s puir baltic oot there.”

Callum’s voice trailed off. His strumming slowed. “Ma. It’s winter. It’s to be expected.”

“Och, dinnae mind me.” She waved her rag. “Yi carry oan an play. Ah love that tune.”

Callum strummed the guitar strings again.

“So, daeyi think she’ll cum tae visit?” his mother interrupted once more.

He stopped playing and stood, placing the guitar back on its stand beside the stool. “Who?”

“Awa’wi’yi. Yi knaw verra well who.”

Callum gave her a blank stare, calling her bluff.

Mary dropped the cloth on the table and shoved her hands on her plump hips, her freckles seeming to darken as her face reddened. “Dinnae think ah didnae knaw yi’ve funn oot she’s noo a fancy opera singer.” She snatched up the cloth and moved to the next table. “Skye Hunter, is who.”

Callum knew better than to pull one over on this small, fiery woman. “Ma, she’s probably forgotten all about us a long time ago.”

“Aye, mibbe. But yi haven’t, though God knaws how hard yi’ve tried. Buried yirself in yir studies, yir work.” She lifted a glass ashtray and wiped beneath. “Ah’ll wager yi’ve already bought yirself tickets tae that Phantom oh the Opera. An let me guess—they’ll be right in the middle a the front row.”

He wouldn’t get out of this conversation so easy. Maybe if he just kept quiet, she would, too.

“Ah’ve seen the posters, tae, at the Clyde. Did a double-take when ah seen hur name an face. Mightn’t be the face oh a sixteen-year old lassie enymair, but ah’d knaw hur enywherr. Spent enuff time ’tween these walls, she did.”

No. Keeping quiet would not get him out of this.

“We’ll just have to wait and see, won’t we, Ma? I’m guessing she won’t be here until the New Year when their rehearsals start.”

Mary gave Callum the how-do-you-know look.

He wrapped his arm around his mother’s shoulder, dwarfing her. “I asked at the Armadillo.”

“Humph.” She elbowed him out of her way and headed for the next table. “Ah’ll bet it wis when yi bought yir tickets.” She turned and eyed him. “Just dinnae go gettin’ yir heart broken agin. Not noo that yiv finally started tae build a life fur yirself. Dinnae mess things up, Callum Robert McGuire.”

Whenever she used his full name and surname, Callum knew he’d be in serious trouble if he didn’t listen. Even at age thirty-three.

“Ma, you’ve nothing to worry about.”

Mary pursed her lips and narrowed her eyes. She shook her head then continued with her chores.

She didn’t believe him. Not for one second.


With the theatrics of a true prima donna, Skye threw back the covers. She’d tossed and turned long enough. Might as well get up and do something—she’d get her beauty sleep tonight.

She should call home. Caught up earlier in her memories and the wonder of her surroundings, then bathing and trying to sleep, she’d forgotten all about her mother.

Skye padded across to the desk and retrieved her cellphone from her handbag, realizing as she unlocked the screen that calling home wasn’t the only thing she’d forgotten. She changed the phone from silent, and then viewed the long list of missed calls. All from Mother.

Clenching her jaw, she pressed redial. As she paced the floor, the phone buzzed in her ear. Once. Twice.

“Skye,” her mother’s anxious voice boomed. Skye held the instrument away from her ear. “Why have you taken so long to call? I’ve been trying to get you for hours. You had me beyond worried.”

She rolled her eyes. “No need to notify the Coast Guard yet, Mother. I’m sorry I haven’t called. The flight was exhausting. As soon as I checked in, I had a bath and climbed into bed.” No way would she confess to sleeplessness.

“Well, at least one of us is getting some sleep.”

Shoot. “What time is it there?”

“Three-thirty in the morning. So you see, Skye, I’ve been unable to sleep for hours. I called the hotel, but they said you had a ‘Do Not Disturb’ alert on your room phone and on the door.”

“I’m so sorry. I should’ve remembered the time difference before calling.”

“If you’d called when you got in, you wouldn’t have had to worry about the time difference.”

“You’re right. Wait a minute…you sent them up to my room to check on me? Really, you have to stop babying me, Mother. I’m thirty-two—I can take care of myself.” Skye cleared her throat, then coughed, hoping the wretched frog that had been lodged there for weeks would jump right out.

“Are you ill? Why are you coughing? Why do you sound hoarse? How many times have I told you that you have to take care of your voice? You can’t afford to get sick. Probably that ghastly Glasgow weather getting its hooks into you already.”

Her throat did hurt.

“Mother, stop it. Except for getting in and out of a taxi, I haven’t been outside since I arrived.” If Mother had her way, she’d have Skye wrapped in cotton wool and hibernating until rehearsals began. “I’m not coming down with anything. Even if I was, I do know how to doctor myself.” She’d been doing it secretly for weeks. It hadn’t seemed to help to rid her throat of the soreness. If her mother knew, it would’ve been just the excuse she needed to come with Skye to Scotland.

“Have you eaten yet, Skye? Airplane food is not substantial enough. You need a balanced diet. You know that. I never should have let you travel clear across the globe without me. I should’ve come with you.”

I rest my case. Any excuse.

A low sound warbled from Skye’s stomach. The mention of food made her realize how hungry she was. She glanced at the time on her phone as she opened the hotel room’s curtains. Four-thirty. Hard to believe with the darkness outside that it was still afternoon. She should get an early dinner. And she knew just the place.


“Mother, you have to be with Ted. He needs you far more than I do.” Truth was, she didn’t need her mother, at least, not in the manner that Rita Robinson availed herself. Not that she’d wished any ill on her stepfather, but Ted’s illness was the only reason she’d enjoy those cotton sheets in a room of her own.

A twinge of guilt joined forces with the hunger prickling her insides. “I have to go. I need to get ready for dinner. Give Ted a kiss from me.”

Without waiting for her mother to launch into another diatribe of reasons why she should have come with her, Skye aimed two pecks at the phone and cut the call. She dropped the device into her bag and licked her lips. She could almost taste Mary McGuire’s shepherd’s pie—a home-style stew of meat and root vegetables simmered in a rich stock, topped with a browned layer of mashed, redskin potatoes. Her father had loved to take her there. He, too, believed there was nothing quite like Mary McGuire’s shepherd’s pie. Mother never joined them. If Mother only knew what she’d missed out on all those years.

Skye hurried into her clothes. Brown boots hid her denim skinny jeans to the knees, while a white Aran sweater with a vertical cable pattern covered her from neck to thighs. She ran her fingers through her hair and fluffed the thick strands across her shoulder. Her flaming tresses stood in stark contrast to the soft white wool. Fire and ice.

After applying light makeup and a spray of perfume, Skye wrapped her father’s tartan scarf around her neck, the Hunter plaid of red, blue, green, and white deepening her feelings of being home. She donned her coat and headed out the door, her mind alive with anticipation of what waited.

Outside the hotel, she hailed a taxi.

“McGuire’s, please.” Wouldn’t her mother just have a fit if she knew where Skye planned to have dinner?

The driver turned around. “On Anderston Quay?”

“That’s the one.” She smiled. “I would’ve walked, but the weather…”

“It’s dreich.”

“Aye, that it is.” She laughed, surprised at how easily she’d slipped into the old ways. She hadn’t said “aye” in years.

As they drove, the words of her opening song drifted into her mind, and she hummed: “Think of Me.” Did Callum ever? Did he remember her at least once in a while? For a long time she used to dream of him, could sense him when she sang. But the memory of him faded with time.

“Yiva awfy fine voice furra chantin’.” The driver pulled up in front of McGuire’s.

“Thank you.”

Skye paid the fare and the taxi pulled away, leaving her alone on the snow-covered sidewalk. She stepped up to the familiar wooden door and stood rooted beneath the black awning. Would Callum still be there?

Discussion Questions

Question 1: Why didn’t Callum tell Skye he’d become a doctor, and instead pretended he was still working in his parents’ pub—that nothing had changed in all the years?

Answer 1: He needed to know that if she was still interested in him, it was for who he was, and not for what he’d become. He had to know if being under the influence of her mother had changed her.

Question 2: What made Callum choose the profession he did?

Answer 2: Skye’s father was a doctor and he inspired Callum. His death spurred Callum to study medicine and to specialize in the field of the disease that had killed Skye’s father.

Question 3: Even though Skye had dated a few times over the years after she left Scotland as a teen, she’d never found anyone special. Why?

Answer 3: She always compared them to Callum, and nobody ever measured up.

Question 4: Why did Skye’s parents name her Skye?

Answer 4: Skye’s father came from Portree on the Isle of Skye. That is where he met Skye’s mother while she was on holiday researching her family genealogy. The fell in love and when Skye came along they named her after the place most dear to their hearts.

Question 5: What did Skye finally choose as gifts for the McGuire family, and why?

Answer 5: She bought them each a large scented candle because smell is the sense most linked with memory—she wanted the McGuires to think of her long after she’d gone.

Question 6: God works all things together for good. What good did God work through the Christmas Eve fiasco?

Answer 6: Skye was so upset by Katie’s appearance that she decided to go to the Isle of Skye the following morning to visit her father’s grace. It is in Portree that she meets doctor who insists she see an ENT specialist because if her non-stop coughing. Through that doctor’s visit, it’s discovered that she has throat cancer and is sent to a specialist Oncologist surgeon—Callum.

Question 7: Where did Callum and Skye get married?

Answer 7: At the Olde Blacksmith’s Shop in Gretna Green, an hour south of Glasgow.

Question 8: What wedding march did Skye walk down the aisle to?

Answer 8: A lone piper playing Amazing Grace on the bagpipes.

Question 9: Besides signing the register, there were two rituals that Skye and Callum performed at their wedding. What were they, and what was their significance?

Answer 9 The minister bound their wrists together with the three cords using one of the most durable bonds that strengthens under pressure, a fisherman’s knot—the true lovers’ knot. The third cord symbolized God in their marriage—the most important cord in. He was the One who would hold them together, no matter what came their way. The second ritual was The Quaich, or wine ceremony, which was drunk from a two-handled cup. It symbolized sealing seal the bond of love and trust between them.

Question 10: What surprise did Callum have waiting for Skye back in Glasgow after their honeymoon?

Answer 10: Several years before he had bought Skye’s childhood home where he now lives.

Reviews (5)

by PBG Marketing Dept

I know when I start a story by this author that she is going to pull into the sights and sounds of the place where the story takes place, and this one was no exception. The story takes place in Glasgow, Scotland and I felt as if I were experiencing the city with the characters. This is a wonderful love story following Skye, an opera singer returning to her hometown to have the lead in The Phantom Opera, and Callum, her teenage sweetheart, now a successful physician who still sings in his family-owned tavern. It was a delight following their story as they re-kindled their relationship and found their happily ever after in spite of the obstacles thrown in their path. This is another one from this author that I thoroughly enjoyed and definitely recommend. - Ann Ellison

by PBG Marketing Dept

I was transported to Glasgow,Scotland as I read this book.I can imagine myself there.It took me awhile to understand the dialect but it greatly added to the story. This emotional story of Skye and Callum reunited after 16 years keep me reading from first word to last. They overcame many obstacles to their wedding but the day arrived The bound their love with a cord of three strands, a ribbon from each of their tartans and one strand from Skye's bouquet to represent God. A three stranded cord is not easily broken. I cried at the emotionally charged ending and I congratulate Marion Ueckermann on a wonderful novella. I was privileged to receive a copy of the novella and in exchange I gave my honest review. Linda R

by PBG Marketing Dept

Leaving aside my lack of appreciation for the dark and cold northern land, and Skye and Callum’s lack of ability to utilise modern technology to stalk reconnect with old friends … Yes, this was a great romance novella. I’m not always a fan of romance novellas where complete strangers meet and fall in love in a handful of pages. I prefer novellas like Glasgow Grace, where the characters have some kind of history to build on—it makes it seem more realistic to me. So I did enjoy that aspect of the story. I also loved both Callum and Skye. Skye was perhaps a little naïve and innocent, but that’s not a bad thing. Callum was everything a hero should be—I might not see the fascination with Scotsmen, but I can certainly see the fascination with men who can sing. And play guitar. Especially at the same time. Swoon. So the characters were great, the writing was good, and the plot was a perfect mix of predictable and unpredictable (hey, this is romance. There are certain things we expect as re