{"id":185,"date":"2013-06-25T10:00:00","date_gmt":"2013-06-25T10:00:00","guid":{"rendered":"http:\/\/pelicanbookgroup.com\/blog\/blog\/2013\/06\/25\/tactical-tuesday-advice-for-self-editing_25-2\/"},"modified":"2015-11-25T12:22:17","modified_gmt":"2015-11-25T19:22:17","slug":"tactical-tuesday-advice-for-self-editing_25-2","status":"publish","type":"post","link":"https:\/\/pelicanbookgroup.com\/blog\/tactical-tuesday-advice-for-self-editing_25-2\/","title":{"rendered":"Tactical Tuesday: Advice for Self-Editing"},"content":{"rendered":"<div class=\"MsoNormalCxSpFirst\" style=\"text-indent: 0in;\">\nFinding<br \/>\na balance between drama and melodrama can be very hard sometimes. Today, let\u2019s<br \/>\ntake a look at some of the areas an author may want to examine when<br \/>\nself-editing to assure that the drama is not overdone:<\/div>\n<div class=\"MsoNormalCxSpMiddle\" style=\"text-indent: 0in;\">\n<\/div>\n<div class=\"MsoNormalCxSpMiddle\" style=\"text-indent: 0in;\">\n<b>Don\u2019t take a small conflict and try to make<br \/>\nit bigger:<\/b> When an author takes a minor problem and turns it into something<br \/>\nmajor without providing motivation for the larger conflict, the reader will<br \/>\nthink the work contrived. Instead, if Betty\u2019s prom date calls up ten minutes<br \/>\nbefore the prom to tell her he\u2019s taking Debra instead of her, let that be the necessary<br \/>\ndrama. The reader can sympathize with Betty, and Betty needs to take some major<br \/>\naction to get back into the game\u2014like calling her drop-dead gorgeous-guy of a<br \/>\nbest friend who happens to attend a school outside of town. She might be a<br \/>\nlittle late to the prom, but she\u2019s going to make her date and Debra jealous. And<br \/>\nwhat if Betty finds true love with drop-dead gorgeous guy of a best friend but<br \/>\ndoesn\u2019t realize it because she\u2019s busy chasing deadbeat prom guy. On the other<br \/>\nhand,what if Betty knows that Debra is a little off from center, and that her<br \/>\nprom date might be in danger? Then Betty\u2019s reaction would be decidedly<br \/>\ndifferent and a little more dramatic. She has to save the no-good cheat despite<br \/>\nthe fact he dumped her.<\/div>\n<div class=\"MsoNormalCxSpMiddle\" style=\"text-indent: 0in;\">\n<\/div>\n<div class=\"MsoNormalCxSpMiddle\" style=\"text-indent: 0in;\">\n<b>Understated drama pulls a bigger punch<\/b>:<br \/>\nWhat happens if Betty is at home waiting for her mother to arrive so they can<br \/>\ngo shopping for her prom dress? This is the biggest event that has happened<br \/>\nsince her father passed away two years before, and Mom has smiled for the first<br \/>\ntime in ages. When a car pulls up in the driveway, Betty is excited. Mom will<br \/>\nprobably come in and change out of her clothes, and they\u2019ll be on their way.<br \/>\nBetty pulls back the curtain, and instead of her mother\u2019s car in the driveway<br \/>\nshe sees a state trooper\u2014just like the night her father died. Yes, you could<br \/>\nmake Betty fall apart, fall to her knees, fall into the arms of the trooper,<br \/>\nbut what if Betty opens the door and braces herself for the trooper\u2019s words? She<br \/>\ndoesn\u2019t say a thing as the officer tells her that her mother has been seriously<br \/>\ninjured. She remains quiet when the officer asks her to get the number of her<br \/>\nnearest relative who lives several states away\u2014someone her mother would not<br \/>\nwant her to be with. She still doesn\u2019t speak as they tell her the relative will<br \/>\narrive soon. Only after the trooper has done all this does she speak. She keeps<br \/>\nher back straight and with a very steady voice says, \u201cWould you mind taking me<br \/>\nto my mom? She doesn\u2019t like to be alone when she\u2019s not feeling well.\u201d<\/div>\n<div class=\"MsoNormalCxSpMiddle\" style=\"text-indent: 0in;\">\n<\/div>\n<div class=\"MsoNormalCxSpMiddle\" style=\"text-indent: 0in;\">\n<b>Don\u2019t bury the humor: <\/b>High-volume<br \/>\nconflict sometimes does bring out the humor in others. When things are at their<br \/>\nmost intense, humor can be the author\u2019s greatest tool. Allowing the reader a<br \/>\nslight break from the conflict isn\u2019t letting the reader down. Instead, a little<br \/>\nhumor gives the reader a necessary and unexpected break. Humor in the midst of<br \/>\nthe extreme conflict is better than a scene where the reader is pulled away<br \/>\nfrom the conflict completely. However, both type scenes are necessary. If the<br \/>\nstory isn\u2019t a comedy, the author may wish to keep the humor to a medium, but<br \/>\neven one line that makes a reader laugh out loud will secure that novel in the<br \/>\nreaders\u2019 minds for years. John Grisham did that for me in his novel <i>The Runaway Jury<\/i>. I can still quote the<br \/>\nline today.<\/div>\n<div class=\"MsoNormalCxSpMiddle\" style=\"text-indent: 0in;\">\n<\/div>\n<p><\/p>\n<div class=\"MsoNormalCxSpMiddle\" style=\"text-indent: 0in;\">\nWhen<br \/>\nwriting drama, it is important to ask others if the drama is too melodramatic.<br \/>\nCould a character handle a situation with calm and add to the tension, and can<br \/>\nhumor provide the relief a reader might need in the middle of an intense scene?<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Finding a balance between drama and melodrama can be very hard sometimes. Today, let\u2019s take a look at some of the areas an author may want to examine when self-editing to assure that the drama is not overdone: Don\u2019t take a small conflict and try to make it bigger: When an author takes a minor [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[504],"tags":[159,160,67,18],"class_list":["post-185","post","type-post","status-publish","format-standard","hentry","category-editing-writing-advice","tag-christian-writing","tag-conflict-in-fiction","tag-editing","tag-editing-tips"],"_links":{"self":[{"href":"https:\/\/pelicanbookgroup.com\/blog\/wp-json\/wp\/v2\/posts\/185","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/pelicanbookgroup.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/pelicanbookgroup.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/pelicanbookgroup.com\/blog\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/pelicanbookgroup.com\/blog\/wp-json\/wp\/v2\/comments?post=185"}],"version-history":[{"count":0,"href":"https:\/\/pelicanbookgroup.com\/blog\/wp-json\/wp\/v2\/posts\/185\/revisions"}],"wp:attachment":[{"href":"https:\/\/pelicanbookgroup.com\/blog\/wp-json\/wp\/v2\/media?parent=185"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/pelicanbookgroup.com\/blog\/wp-json\/wp\/v2\/categories?post=185"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/pelicanbookgroup.com\/blog\/wp-json\/wp\/v2\/tags?post=185"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}